Compilation

Masterpieces Of Modern Soul Volume 6 Compilation

2022 collection. This volume in our acclaimed Masterpieces Of Modern Soul series is as strong as ever and drips with brand new, old recordings. An amazing 12 tracks are previously unheard and a further two are very different versions of already popular numbers. Some rare-soul household names have new material featured on here. Ronnie McNeir hits a wicked dance groove with 'Let's Make A Move' and Dee Ervin offers a superbly soulful 'You Make Me Happy' - sure to become a modern classic. We've drifted into the late 70s / early 80s disco sound with numbers found on tape that were just crying out to be heard. Joe Simon cut the unknown group Cynic on 'I Want You' at Spring early in 1982. Detroit's Exportations very catchy 'Second Time Around' and the equally fast, funky and fantastic 'Have A Good Time' by Atlanta's Maggabrain were laid down in the late 70s as was Fox Fire's 'Don't Play Me Cheap'. The early 80s is the likely era for Melanie Burke's 'I Can't Turn You Down' - which, like the McNeir and Hodges James & Smith offerings, were Mickey Stevenson productions made in L A. We have lifted three great LP-only tracks from 1975 Fantasy albums by Janice, Betty Everett and Three Pieces: they fit so well into the compilation. Margie Joseph singing a Willie Tee song called 'Nobody' is virtually guaranteed to be great music. It is still for sale at a reasonable price - as opposed to the arm and a leg you'll need to offer for 'You Done Let The Daylight Catch You' by Second Ressurection. We found a quite different vocal take for Phillip Mitchell's 'I'll See You In Hell First' and a much longer version of Dave Hamilton's 'Who' as recorded by the unknown Jackie Dee - it was remixed from the master tape. Another Dave Hamilton song 'Must Have Had Company' by Elayne Starr has only appeared on one of the later Dave Hamilton CDs - well worthy of a rewind for modern soul movers. The highly talented west coast producer George Semper gives us 'Doo Doop Dee Deep Doot Doo' which owes a lot to the Sly Stone sound of the time and is similarly enthralling. Finally, we have yet another top quality, unheard 70s soul recording from Joe Hinton who had many tracks abandoned and left in the vault when Atlanta's GRC records crashed due to the nefarious behavior of it's owner