Henry Eduard Legler

Walt Whitman, Yesterday & Today Henry Eduard Legler

On a day about mid-year in 1855, the conventional literary world was startled into indecorous behavior by the unannounced appearance of a thin quarto sheaf of poems, in form and in tone unlike anything of precedent issue. It was called Leaves of Grass, and there were but twelve poems in the volume. No author's name appeared upon the title page, the separate poems bore no captions, there was no imprint of publisher. A steel engraving of a man presumably between thirty and forty years of age, coatless, shirt flaringly open at the neck, and a copyright notice identifying Walter Whitman with the publication, furnished the only clues. Uncouth in size, atrociously printed, and shockingly frank in the language employed, the volume evoked such a tirade of rancorous condemnation as perhaps bears no parallel in the history of letters. From contemporary criticisms might be compiled an Anthology of Anathema comparable to Wagner's Schimpf-Lexicon, or the Dictionary of Abuse suggested by William Archer for Henrik Ibsen.