Cartesian Mapping of Chords and Scales Aundre Wesley

The base of this theory removes time from the analysis of the relationships of chords and scales. In practice, time cannot be eliminated. This paradigm restricts the amount and type of information that can be gained from using this musical mapping. Also, only 3 note groupings can be analyzed at a time. If a 4th note is added, the theory sort of falls apart. The operations in this system are derived from the Pythagoreans, Euclid, Cantor, and Descartes. The numbers gained from the operations can be used as a baseline for creating music.