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Improvisation in Music and Philosophical Hermeneutics McAuliffe, Dr Sam (Monash University, Australia)
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Improvisation in Music and Philosophical Hermeneutics
McAuliffe, Dr Sam (Monash University, Australia)
In the first book to examine the overlooked relationship between musical improvisation and philosophical hermeneutics, Sam McAuliffe asks: what exactly is improvisation? And how does it relate to our being-in-the-world?Improvisation in Music and Philosophical Hermeneutics answers these questions by investigating the underlying structure of improvisation. McAuliffe argues that improvising is best understood as attending and responding to the situation in which one find itself and, as such, is essential to how we engage with the world. Working within the hermeneutic philosophical tradition â drawing primarily on the work of Martin Heidegger, Hans-Georg Gadamer, and Jeff Malpas â this book provides a rich and detailed account of the ways in which we are all already experienced improvisers.
Given the dominance of music in discussions of improvisation, Part I of this book uses improvised musical performance as a case study to uncover the ontological structure of improvisation: a structure that McAuliffe demonstrates is identical to the structure of hermeneutic engagement. Exploring this relationship between improvisation and hermeneutics, Part II offers a new reading of Gadamerâs philosophical hermeneutics, examining the way in which Gadamerâs accounts of truth and understanding, language, and ethics each possess an essentially improvisational character. Working between philosophy and music theory, Improvisation in Music and Philosophical Hermeneutics unveils the hermeneutic character of musical performance, the musicality of hermeneutic engagement, and the universality of improvisation.
240 pages
| メディア | 書籍 Paperback Book (ソフトカバーで背表紙を接着した本) |
| リリース済み | 2024年9月19日 |
| ISBN13 | 9781350338050 |
| 出版社 | Bloomsbury Publishing PLC |
| ページ数 | 240 |
| 寸法 | 150 × 220 × 10 mm · 365 g |
| 言語 | 英語 |
