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Shimon Attie's Writing on the Wall: History, Memory, Aesthetics Peter Muir 第1 版
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Shimon Attie's Writing on the Wall: History, Memory, Aesthetics
Peter Muir
Shimon Attie's Writing on the Wall: History, Memory, Aesthetics theorises images from Attie's 'The Writing on the Wall 1991-1993' installation as a memorial activity, and as an index or habitation for history. The images, which appeared in Berlin's Scheunenviertel district, are suspended by the palimpsestic associations established between the fixated dead of the past and their ghostly appearance in the present. Part of that palimpsest is a collective cultural knowledge of the impending obliteration of community (both the Jewish and non-Jewish citizens of Berlin) by mass-produced death. Peter Muir analyses Attie's work by responding to a series of propositions arising from Walter Benjamin's Thesis 'On the Concept of History.' Shimon Attie's Writing on the Wall: History, Memory, Aesthetics's presiding metaphor is that of loss - the central problem that the book addresses is that of forgetting.
204 pages
| メディア | 書籍 Paperback Book (ソフトカバーで背表紙を接着した本) |
| リリース済み | 2017年3月31日 |
| ISBN13 | 9781138262256 |
| 出版社 | Taylor & Francis Ltd |
| ページ数 | 204 |
| 寸法 | 150 × 220 × 10 mm · 280 g |
| 言語 | 英語 |
