Ridgwell Cullum

The One-Way Trail Ridgwell Cullum

Dan McLagan shifted his cigar, and his face lit with a grin of satisfaction. "Seventy-five per cent, of calves," he murmured, glancing out at the sunlit yards. "Say, it's been an elegant round-up." Then his enthusiasm rose and found expression. "It's the finest, luckiest ranch in Montana--in the country. Guess I'd be within my rights if I said 'in the world.' I can't say more." "No." The quiet monosyllable brought the rancher down to earth. He looked round at his companion with an inquiring glance. "Eh?" But Jim Thorpe had no further comment to offer. The two were sitting in the foreman's cabin, a small but roughly comfortable split-log hut, where elegance and tidiness had place only in the more delicate moments of its occupant's retrospective imagination. Its furnishing belonged to the fashion of the prevailing industry, and had in its manufacture the utilitarian methods of the Western plains, rather than the more skilled workmanship of the furniture used in civilization. Thus, the bed 8 was a stretcher supported on two packing-cases, the table had four solid legs that had once formed the sides of a third packing-case, while the cupboard, full of cattle medicines, was the reconstructed portions of a fourth packing-case. The collected art on the walls consisted of two rareties. One was a torn print of a woman's figure, classically indecent with regard to apparel; and the other was a fly-disfigured portrait of a sweet-faced old lady, whose refinement and dignity of expression suggested surroundings of a far more delicate nature than those in which she now found herself. Besides these, a brace of ivory-butted revolvers served to ornament the wall at the head of the bed. And a stack of five or six repeating rifles littered an adjacent corner.