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Nana Emile Zola
他の形態でも入手可能:
- Paperback Book (2019) ¥ 1.628
- Book (2024) ¥ 1.938
- Paperback Book (1973) ¥ 2.152
- Paperback Book (2015) ¥ 2.423
- Paperback Book (2017) ¥ 2.481
- Paperback Book (2014) ¥ 2.888
- Paperback Book (2017) ¥ 2.946
- Paperback Book (2016) ¥ 3.198
- Paperback Book (2016) ¥ 3.373
- Paperback Book (2017) ¥ 3.411
- Paperback Book (2014) ¥ 3.431
- Paperback Book (2017) ¥ 3.431
- Paperback Book (2016) ¥ 3.508
- Paperback Book (2021) ¥ 3.567
- Paperback Book (2016) ¥ 3.567
- Paperback Book (2016) ¥ 3.605
- Book (2018) ¥ 3.722
- Paperback Book (2016) ¥ 3.780
- Paperback Book (2013) ¥ 3.838
- Paperback Book (2017) ¥ 3.838
- Paperback Book (2016) ¥ 3.877
- Paperback Book (2014) ¥ 4.012
- Paperback Book (2016) ¥ 4.109
- Paperback Book (2019) ¥ 4.148
- Paperback Book (2018) ¥ 4.381
Nana
Emile Zola
The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zola's touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of L'Assommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.
| メディア | 書籍 Paperback Book (ソフトカバーで背表紙を接着した本) |
| リリース済み | 2017年4月26日 |
| ISBN13 | 9781546309772 |
| 出版社 | Createspace Independent Publishing Platf |
| ページ数 | 242 |
| 寸法 | 152 × 229 × 13 mm · 326 g |
| 言語 | 英語 |
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